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Graduates showcase their designs at mall

Le 8 décembre 2016, 10:11 dans Mode 0

Fellow students modelling the works of the 13 fashion graduates. — Photos: LOW LAY PHON/The Star (Photo:formal dresses sydney)

IT WAS a proud moment for 13 fashion graduates of Limkokwing University of Creative Technology who showcased their final year designs to the public.

Their collections were modelled at the centre court of Pavilion Kuala Lumpur.

“Pavilion KL is in the centre of the city, and has a good mix of international and local visitors.

“It is also where the who’s who of the fashion industry and big brands all belong, and this will give students exposure for their own labels,” said Limkokwing University of Creative Technology public relations and media executive Adeline Hew.

“This is the right platform for them to interact in a natural environment as we prep them for the real world,” she added.

In addition to the 13 students, 22 others also made their presentations to industry experts and peers at the university’s campus in Cyberjaya, over two days during the Fashion Weekend to celebrate all their hard work.

“This year, the theme was ‘Sensory Utopia’, as it had a lot to do with texture and how students can explore, play and feel form and feature,” said Limkokwing University of Creative Technology Faculty of Fashion and Lifestyle Creativity programme leader Stefen Leonard.

He added that through the students’ work, the university showed the industry the quality of their students and a different hands-on teaching method was applied.

Leonard said students did not just hone the skills they already had, but also learned to find their strengths in other aspects, be it design, managing their own label or backstage experience.

“We push them to a new limit, somewhere they don’t think they can reach,” he said.

Final-year student Kutraleswarean Padamanathan, 21, said the opportunity to showcase his collection in public was a big stepping stone for him.

“I learned how a fashion show really works and how to handle every detail from point A to Z.

“Being a fashion designer not only tests your skills but your patience, and at the end of the day, all that stress is worth it,” he said.

Final-year student Fatimah Zahrah Mohd Shaidin, 22, also shared the same sentiments, saying that the greatest result she gained was having her own label, La Matiere, which is French for “material”.

“From my beginning at the university, I went through different growing phases, learning how to do more than I thought I could, and how to give more attention to detail.

“The final year was a busy one as we delved into retail, and we survived and emerged with a label. All the blood, sweat and tears paid off,” she said.

The showcase presented the collective effort of students from over 30 different countries.

It also featured 40 student models from more than 15 countries, as well as performances by the Performing Arts and Sound and Music students.Read more at:formal dresses melbourne

How digital is ‘devaluing’ luxury fashion brands and what marketers can do about it

Le 6 décembre 2016, 08:40 dans Mode 0

2016 has been a turning point for many luxury fashion brands. Burberry led the way earlier in the year when it made the radical decision to scrap its existing fashion calendar of four shows a year, replacing it with two ‘seasonless’ collections called ‘February’ and ‘September’ that are available immediately. The brand ended the fashion tradition of a six-month wait for products, to close the gap between the runway and the consumer experience.

Tom Ford followed suit and in a similar move cancelled its New York Fashion Week show to adopt a see-now-buy-now model. Moschino, Versace and House of Holland have also been experimenting with the idea by selling capsule collections to online retailers ahead of the show happening.

In today’s digital economy “new is definitely the currency by which things are measured,” according to Ben Kerr chief strategy officer at content agency Somethin’ Else, who said that for fashion houses, having to adapt their shows and deal with the appetite for ‘new’ is leading to the devaluation of their brand.

“This [the new fashion show model] represents a really big and severe challenge for the fashion industry, because as soon as you start to click to buy from the catwalk, effectively what you are doing is you are commoditising your brand,” he told an audience at Eurobest in Rome. “No longer is it about the big idea, or the trend for the season.

“Fashion brands really make all their money by creating massive perceived value around what they do, and building an image of who they are and their place in the world. All of a sudden if you’re creating a conveyor belt you risk really devaluing your brand and effecting your long-term opportunity for growth.”

Kerr added that fashion brands need to think “long and hard” about how they use their catwalk shows because if they commoditise them they will no longer seem as valuable to the consumer.

So, with the appetite for the new and now seemingly insatiable, how can luxury fashion brands sustain the hungry consumer without losing the often centuries old reputations they’ve created?

“Fashion brands need to think how they can infiltrate the younger audience because if the bottom of the funnel is devaluing the brand they have got to do something at the top to keep the value there,” said Kerr. “They can continue to develop new clothes to keep the audience excited, but that is a challenge when people are looking for stuff all the time. The second thing they can do is create content that fills their social feeds. So alongside the brands that people are seeing on Depop [a mobile, social shopping app that sells new and used clothing] which is de-branded, they are still content exciting content in their feeds that is making consumers warm to brands.”

With margins continuing to be squeezed, outsourcing more creativity by collaborating more frequently is the way forward for fashion houses. Kerr called out the example of Adidas working with edgy skate brand Palace on a footwear and clothing collection, as something “Adidas wouldn't have dared to do five years ago”.

“Marketers think they collaborate a lot of the time anyway, but with the growth of YouTube improving cultural collateral, what the fashion industry has been doing is paying for endorsement deals... these perceived ways of collaboration are just glorified endorsement deals. Brands need more exciting ways to collaborate. This is a scary thing because marketers and brand owners have a singular vision of who they are and what they should look like, but it’s not cutting through in today's media market place.”Read more at:vintage formal dresses | cheap formal dresses

Alexa Chung on love, life lessons and building her fashion empire

Le 2 décembre 2016, 05:28 dans Mode 0

You wouldn’t catch Kate Moss flapping her leg around. Alexa is frequently compared to Kate, which is understandable: like Kate, she’s one of the few celebrities who genuinely inspires women to buy stuff on the basis that she herself wears it so well. But the two are very different. Yes, they’re both models, with fiercely loyal female fan clubs, but that’s where the similarities end. Kate (born 1974) came of age in the Nineties when being a brilliant model was enough. Alexa (born 1983) is equally a product of her time. As well as being a slashie (model/TV presenter/designer/nascent art director), she’s a fully paid-up member of the digital age, with the requisite millions of Twitter and Instagram followers, something which brands increasingly seem to require to feel confident that they’ve chosen the right person to sell their products.

I imagine Chung cringes at the Moss comparisons, and would be the first to admit that she is not in the same modelling league. But then, she doesn’t have to be. The rules are different now. Personality is a big part of the package for models, and God help the boring ones. Chung might have a beautiful face, but it’s her personality that’s pitch-perfect for 2016: funny, self-deprecating, whip-smart. She also has the starry friends (an eclectic mix including Poppy Delevingne, Daisy Lowe, Pixie Geldof and Nick Grimshaw), the proven track record of shifting units (2009’s ‘Alexa’ remains one of Mulberry’s bestselling bags) and a personal style that constantly sees her on the best-dressed lists. Basically, she’s got the lot, but wears it lightly. With a slick of Chanel lipstick, an Erdem dress and whatever handbag the rest of us plebs will want a few months later.

Possibly because she started her career as an interviewer (on Channel 4’s Popworld back in 2006), she is a more generous interviewee than most celebrities. The mask doesn’t slip. The eyes don’t glaze over. There is no fiddling with iPhones. In fact, she is terrific fun. Henry Holland should do her a T-shirt. Maybe for her hen night. Not that one of those is imminent, despite the rumours (she is said to be dating actor Alexander Skarsgård). Speculation about her love life has been bubbling away ever since she split from Arctic Monkeys frontman Alex Turner five years ago; understandably for someone who has been linked to every indie, pop and boyband member she has ever been in the same room with, she isn’t hugely keen to talk about her love life. When I dutifully ask her the relationship question, she dutifully demurs from answering. ‘What am I meant to say to get out of this question?’ she asks.

‘“Preferred not to discuss her personal life,”’ offers her PR.

‘What about if you just don’t know?’ she says finally. ‘Why does everyone presume that famous people know? What if you’re seeing someone and you don’t know how it’s going to end up? I mean, there are so many variations. I’m in love with lots of different things. I do love love, though. I don’t think love should make you feel uneasy. When you feel sick, I don’t think that’s love — that’s infatuation. Someone who makes you feel like that is exciting — it’s the one that you imagine when you think of an amazing affair — but that’s not actually a stable love.’

Stability must be the holy grail when you’re hopping between London and New York, as Chung currently is. After nearly four years living in the East Village, she moved back to London in April, largely to work on her much-anticipated new clothing label, which has been mooted for years and is finally due to launch next May — though she’s not meant to be discussing that yet. ‘It’s a full-time job,’ she says of The Thing She Can’t Talk About. ‘It’s hard not to talk about something that’s so exciting, and also such a large portion of my life.’ What with last month’s launch of her second and final Archive By Alexa collection for M&S, her collaborations with AG Jeans, her art direction of the latest Ugg campaign, her fashion app Villoid (which allows you to follow your favourite brands and buy them) and her duties as the face of Longchamp, even the most accommodating of boyfriends might be forgiven for wishing she could spend more time on the sofa with him eating crisps.

Of all her projects, her three-and-a-half year Longchamp relationship is the most enduring. ‘I don’t know why they continue to use me, but it’s been nice to have worked alongside a brand for that amount of time.’ She recounts being on a recent shoot for them, and the weather being grim, and extra lights being brought in to counter it. ‘Suddenly I was like: “I bet they’re wishing they had a sort of Christy Turlington type.” The type of vibe that it was, I felt ill-equipped to pull off. I was doing an impression of a Nineties supermodel to try to get in the zone. I had to do it in character; pretend to be really sexy for once. In order to pull it off, I had to look like I was seducing the camera.’

‘And you apologised before you did it,’ adds her PR.

‘So English!’ Chung grimaces. ‘I said: “I’m going to take on the character of someone who’s really confident and thinks they’re gorgeous.” And they’re like, “Okay, off you go.”’

But you are gorgeous, I want to say. But she is off again. ‘I went and got acupuncture in NY and the woman who was doing it was like [she affects an American drawl] “How arrrrrre you?” and I was like, “I’m a little bit stressed at work” and she was like: “You know what you need to do? Ask what would Brigitte Bardot do.” And I said: “I don’t know what Brigitte Bardot would do. Probably talk about animals for a bit?” And the acupuncturist said: “She would be sexy and juicy and slow, and she would get other people to do shit for her. She wouldn’t be the one busying around. You don’t have to act like a man. Be more of a woman. Wear a dress all week and be juicy.”’

I tell Chung that I hate her acupuncturist, and that ‘juicy’ is a horrible word. She looks crestfallen.

‘I thought it was an interesting... Oh s**t, now you’ve made me think of it completely differently,’ she says. ‘Do you want me to go back and tell her off?’

We then have a discussion about Brigitte Bardot that must remain off-record. ‘So here’s what happens when I get interviewed,’ she says, after. ‘It will all be fine, and then I’ll think: “I don’t want to be really boring because then it’s dull for everyone, and I hate reading interviews where people are dull.” Equally though, if you’re too relaxed, then you spend the next month before it comes out pranging out about things you’ve said.’ It’s at this point that it dawns on me that Chung is a people-pleaser. She might make a living from being stylish and on point, but she still suffers from the same insecurities as the rest of us. She doesn’t feel sexy, she worries about putting her foot in it and she still feels like a fraud. ‘Oh yeah, absolutely, 100 per cent,’ she confirms. ‘But I think everyone’s like that — feeling a bit out of their depth.’

Where does she get her sense of humour from? Her parents? ‘Yeah. Phil and Gill [Chung] are funny. They do like a good time. Sometimes I get cross with them because if I’m at work, for example at M&S or something, I like to have an air of authority around what I’m doing, and then my family roll in and just ruin it for me. They’ll be, like, puking on the dancefloor, or being carried out the back. Not that it was my parents puking,’ she adds. ‘It was another family member.’

It’s the party issue, so I ask who her best party friends are. ‘Is this for My London?’ she says, excited. ‘We play that in my house. I know all the questions [she recites them]. We play it all the time. My best party friend...? Fifi Brown. And Poppy Delevingne. She’s so fun and so inclusive — she really is the glue.’ What about the tune guaranteed to get the dancing started? ‘Now I’m cross. I wish I’d had a heads-up on these so I could really think about them. House of Pain — “Jump Around”.’

Tune guaranteed to clear the dancefloor? ‘Probably “Psycho Killer”.’ She hums the intro. ‘See how many bars it takes to get interesting? I used to DJ at universities on the weekend when I worked for Channel 4. It was f**king LOL. You’d get in a van and go to Leicester. I remember getting a complaint call because one too many times I’d cleared the dancefloor. I’d be like: “I’m only going to play [the German rock band] Can”, and they’d be like: “Please can you play some pop hits so we can dance?” and I’d be like: “No, go in the other room.” I was such a dick about it.’

Is she the last person to leave a party, or time-checky? ‘I’m not time-checky, but I know when to leave. I won’t see the sun come up. I’m somewhere in the middle.’

‘You never leave drunk,’ adds her PR.

I tell her I’d be hopeless at being famous because I’d never be able to resist the free booze, and would end up being papped and shamed. This prompts a Glastonbury memory. ‘The sun came up, and I was walking down the hill with a few friends when we stopped and pulled our tops up and did a tit pic with the hill behind us. Right at that point, someone went: “Alexa Chung, can I get a selfie with you?” And I’m like, “Are you f***ing mental?” We were crying with laughter. I was like: “Oh man, they recognise me through my tits.”’

Does she have a pet hate about other people’s party outfits?

‘I don’t think I extend my hatred to other people’s outfits.’

I tell her mine is tinsel round the neck, or too much glitter.

‘Who’s doing that?’ she asks, horrified.

Office workers, I say.

‘I’ve always wanted to have an office do,’ she laments. ‘But I’ve never had an office.’

But she will when she launches The Thing She Can’t Talk About, I point out.

‘I’m going to have an office do!’ she crows. ‘I want to do my first-ever office do. I’m really excited about it. I’m going to photocopy my bum! Do people still do that?’

I believe so, I say.

‘That should be our invite!’

And maybe it will be. But guests will have to wait until May 2017 to find out.Read more at:celebrity dresses | long formal dresses

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